I'm going to look at 2 in this blog. The first that really fascinated me was a portrait - 2 plates, both black, but the first providing tone on a lino plate, something I hadn't seen before. The image builds to create a rare and striking effect. I'll be trying to replicate the technique, created with a wire brush, I believe.
The second work is a well known still life. The British Museum has acquired not just the final work, which is a reduction linocut, but also all the stages of its development, which are on show - and every individual plate is proofed and on show too. Such a rare treat for printmakers! Sometimes it's hard to work out how an artist has created a finished effect with linocuts, but here you have a master class on reduction linocut printmaking - on full display. I found it mesmerising! I've shown below the build to the full work.
Final 4 colour work
For the record, below is the single plate, as proofed at each stage. The first colour is above. The rest follow:
Red stage proof
Green stage proof
Black stage proof
What a delight - I'm planning to visit again. It's not a big exhibition, but it's great. I hope you get to visit in person. If not, I hope this blog post will be of interest.